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                <text>The Umbrian Diptych</text>
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                <text>This is an Italian diptych dating from 1255-1260. One side depicts the Virgin and Child and the other side portrays Christ as the Man of Sorrows.</text>
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                <text>The National Gallery, https://www.nationalgallery.org.uk/paintings/master-of-the-borgo-crucifix-master-of-the-franciscan-crucifixes-umbrian-diptych</text>
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                <text>1255-1260</text>
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                <text>The National Gallery</text>
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                <text>Imago Pietatis of Santa Croce in Gerusalemme</text>
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                <text>This is a mosaic panel in the Santa Croce in Gerusalemme church in Rome depicting the Man of Sorrows.</text>
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                <text>Columbia University, http://www.learn.columbia.edu/treasuresofheaven/relics/Imago-pietatis-Man-of-Sorrows.php</text>
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                <text>Thirteenth to Fourteenth Centuries</text>
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                <text>Santa Croce in Gerusalemme, Rome</text>
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                <text>The Man of Sorrows in the Four Gospels of Karahissar, MS Gr. 105, fol. 167v</text>
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                <text>This is a miniature from the Byzantine Four Gospels of Karahissar, dating from the 1180s. It depicts Christ as the Man of Sorrows.</text>
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                <text>Harold R. Willoughby, The Cycle of Text Illustrations</text>
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                <text>National Library of Russia</text>
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                <text>The Man of Sorrows in the Four Gospels of Karahissar, MS Gr. 105, fol. 65v</text>
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                <text>This is a miniature from the Byzantine Four Gospels of Karahissar, dating from the 1180s. It depicts Christ as the Man of Sorrows.</text>
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                <text>Harold R. Willoughby, The Cycle of Text Illustrations</text>
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                <text>Double-Sided Icon with the Virgin Hodegetria and the Man of Sorrows</text>
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                <text>This is a twelfth-century Byzantine panel painting depicting the Virgin Hodegetria on one side and the Man of Sorrows on the other.</text>
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                <text>Helen C. Evans and William D. Wixom, The Glory of Byzantium , p. 125.</text>
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                <text>Byzantine Museum, Kastoria, Greece</text>
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                <text>Follis of Leo VI</text>
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                <text>Follis of Leo VI</text>
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                <text>Follis of Romanos I</text>
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                <text>Nikephoros kommerkiarios of Psychron (tenth century)</text>
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            <description>The topic of the resource</description>
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                <text>A Byzantine Lead Seal. On the obverse of the seal a cross potent on three steps, all arms ending in pellets; on the crossing, in a medallion, the bust of a bishop (without nimbus): square bald head, short round beard. He wears the phelonion and omophorion decorated with crosslets of dots on both shoulders. The bust resembles St. Nicholas.</text>
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                <text>Nikephoros</text>
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                <text>http://www.doaks.org/resources/seals/byzantine-seals/BZS.1958.106.1224/view</text>
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                <text>Daniel Bailey</text>
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                <text>Dumbarton Oaks Research and Library</text>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
